Japanese Monster Madness Cereal Party at The Alamo Drafthouse

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I have just returned from the Japanese Monster Madness Cereal Party at the Alamo Drafthouse here in Houston, and despite consuming tons of extremely sugary cereal (which is all you can eat for free), I lived to tell about it.  I’m actually swimming in kind of a sugary haze, perhaps it’s a partial sugarcome.  I didn’t know that they started putting marshmellows in Froot Loops.

It started off with an episode of the Japanese Spiderman.
adcp3I must say right now that a good amount of Japanese tokusatsu  (monster and sci fi) tv shows had no narrative flow.  A lot of them are really just a bunch of action scenes cobbled together without much rhyme or reason (even the most narrative ones tend to look like they were edited with a meat cleaver).  The Japanese Spideman takes this to a new level.  You almost can’t tell where the show’s intro ends and the show begins.  Spiderman leaps out of bed, sucks his suit on (?), and does a weird, twitchy dance, then leaps out of his window.  We’re then treated to multiple scenes of him climbing on walls- up one side of a building, and down another.  Over and over.  At some point, he leaps into a criminal’s secret hideout (?) and begins fighting masked villainous henchmen before chasing an evil villainess until she unleashes a monster.  Spiderman calls his giant Spider Mecha Robot and fights the monster in it for a couple of minutes, until it is defeated, then the episode ends.   After that we were exposed to a couple of weird Japanese commercials for some products which I had trouble discerning exactly what they were or were for.  Then a vintage commercial for Stretch Armstrong’s nemesis Stretch Monster.

COWER BEFORE STRETCH MONSTER!!

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Then they showed an episode of Johnny Socko and His Flying Robot.  This is a legendary but short lived late ’60s tv show which is pretty easy to find on dvd and youtube now.  It’s about a surprisingly unannoying kid who controls a giant robot (named Giant Robot) who fight an evil organization called the Gargoyle Gang.  The scenes of Giant Robot fighting the monster of the week are generally recycled in each episode (and shown in the opening credits) but the monsters are suitably wacky.  The main thing that sticks out upon this viewing is the absolutely horrendous dubbing (which the crowd found quite amusing)- they evidently gave up trying to make the words come close to matching the lip movements or even the length of time the lips move.  I never cared much for the look of Giant Robot- kind of an Egyptian look with a permanent irritated stare (including furled eyebrows).  Still this show is highly entertaining.

Shogun Warriors- worth big bucks today

Shogun Warriors- worth big bucks today

They showed a commercial for the old Shogun Warriors toys, truly some of the coolest toys of the time (and worth big bucks nowadays).  Then we launched into an episode of the early 1970’s tokusatsu  tv show Spectremen.  In this show two gorillas (one a super intelligent one with blue skin and yellow hair who excessively talks with his hands named Dr. Gori and his henchman, a bumbling regular looking (but talking) gorilla named Rah) use pollution to create mutant creatures to attack the Earth.
adcp4 A man named George, a member of a group of scientists who fight pollution and monsters,  changes into Spectreman on the orders from a consortium of aliens from the Nebula Star to combat them.  Yes it’s all a bunch of hooey thrown together to show giant monsters fighting, however Spectreman is probably the most traditionally narrative and storyline based of all the man-in-a-suit cyborg fighting giant monsters (who are also men in suits) tv shows.
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Unfortunately this episode wasn’t very good, featuring a truck driver turned into a garbage eating monster who doesn’t want to be a monster.  The audience got a kick out of the bumbling Rah and Gori’s hand gestures and some of the howlers of dialogue (example: when the truck driver leaves for work his son cheerfully tells him “Bye Dad- try not to drink too much beer after work!”), but much better episodes exist.

After some more vintage commercials (including one for Micronauts) they showed an episode of the late ’70s American cartoon Godzilla (by Hanna-Barbera).  The series is similar to Johnny Quest, but with Godzilla’s son Godzooki tagging along as comic relief (instead of Bandit I suppose).  When in trouble they can summon Godzilla to help them.  Godzilla looks kind of similar to the Godzilla in the movies, but doesn’t really act much like him, have his charisma, or his distinctive scream.   Godzooki doesn’t look anything like Minilla  from the movies, and can fly.  In this episode a pyramid is discovered, but when disturbed it unleashes it’s guardians- two stone lions that can breathe icy cold breath.
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Next up they show an episode of the kookiest tokusatsu yet, Super Robot Red Baron.
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This one has to be seen to be believed.  I haven’t the foggiest idea what exactly was going on, however it was a lot of spastic, goofy fun.  I’m not sure if it was the whole episode, because it seemed to end rather abruptly and kind of in the middle of a storyline, but once again since this is one of those shows that doesn’t have much narrative flow (just a bunch of scenes hyperactively edited next to each other) I can’t be too sure.  It was just as entertaining (perhaps more so) as any others we saw that night (and the audience quite liked the inspector who was turned into a goose and back again who kept quacking in between his lines).

He did NOT do his signature move in the episode we watched.  The audience was crushed.

He did NOT do his signature move in the episode we watched. The audience was crushed.

Lastly, they came to the most famous of cyborg-man-in-a-suit fighting monster men in suits shows, Ultraman.  There have been so many permutations of Ultraman over the years I’m not sure which one this one was (tho I believe it was from the original 1966 series, which was actually part 2 of the overall Ultraman saga (which started with the Ultra-Q tv show)).  Once again, this was a pretty average episode, with a decent monster but nothing much to set it apart from any other episodes (he didn’t even do his signature crossed hands Spacium Ray).  But the event was still a success, and sold out (but they didn’t run out of cereal, so that’s a big plus).

They usually do cartoons at their Cereal Parties, but I’m glad they chose to do tokusatsu  for this one.  Next up: they’re doing a marathon of sword and sorcery movies (3 to be exact, including a 35 mm print of Conan the Barbarian) leading up to the debut of Zero Charisma, a movie for D & D geeks that looks to be pretty damn cool, on Sunday August 11th.  I’m excited.
UPDATE:  I’ve just discovered that the above mentioned sword and sorcery marathon has sold out.  Damn…

 

Asian Movie Month ‘Zine #2: F.E.T.U. #4

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Released in 1988, the 4th issue of F.E.T.U. (Far East Thrashcore Union) came straight out of Tokyo and featured interviews with bands from all over (including SAVAGE THRUST, HADES, SYSTEMATIC DEATH, AGONY, DISARM, SACRIFICE, HOLY MOSES,  and CASBAH, , but had a lot of news, reviews, and interviews with Japanese bands you didn’t see much in other ‘zines.  It was the offbeat (for a ‘zine) comic book size and professionally printed, but black and white.  I really liked their demo review section, with each demo getting it’s own little info box telling information about it.
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There were small parts of it in Japanese, but most of it was in English.  It’s style was very no nonsense and to the point.  I remember discovering HELLCHILD and ASBESTOS because of this ‘zine.  It also featured live show reviews, scene reports,  and an opinion piece on how to make your ‘zine more original.
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Asian Movie Month Movie 1: The Five Deadly Venoms

Asian Movie Month on PMT kicked off on Saturday (the 30th anniversary of Bruce Lee’s death)  with my article on G-Fan magazine.  Besides the anniversary of Lee’s death (who was actually born in the U.S. and moved to Hong Kong, then back to the U.S.), Guillermo del Toro’s magnificent tribute to Asian cinema Pacific Rim was also released this past weekend.  The excitement for next year’s Godzilla is building, and I’d be remiss if I didn’t mention the death of Black Belt Jones himself, Jim Kelly (tho not an Asian actor, he did a lot to bring Asian films and kung fu to America and popularize it), who died on June 29th.
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The Five Deadly Venoms is one of my favorite kung fu movies of all time.  Originally released in 1978 (before kung fu action scenes got so over the top) the actual fights are not as engaging as the plot, which is unusual for a ’70s Hong Kong kung fu actioner.  Not that the fights are bad or boring, just fairly average (except for the final one, which features characters who can stand on walls engaging in the fight).
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The story is about a dying kung fu master who took on 5 students and taught each of them a different style of kung fu- the centipede, snake, scorpion, lizard, and toad styles.  Each style has it’s own special abilities (the toad’s skin is near invunerable and he’s super strong; the centipede is super fast; the lizard can walk on walls, etc.) and the teacher is afraid that his students might use their skills for evil.  He takes on one last student Yang Tieh (Sheng Chiang) and trains him a little of each style, then sends him to find the five former students and determine if they are using their skills for evil, and if so kill them.  He warns Yang that his skills are no match for any of the other five, however if he were to team up with one of them, together they could defeat the other four.  To make things even more complicated, they all wore masks while they were being trained, and changed their names after they left the school, so their identities are a mystery.
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Sheng discovers that several of the five are indeed quite evil, and as he tries to determine who is who and if any of them can be trusted, he finds that the city itself is filled with corruption where money buys most any authority figure and murder is pretty common place.

The mystery is not a difficult one (tho three of the five are revealed pretty quickly, the Scorpion and the Lizard are not revealed until the end; it’s pretty easy to figure out who they are before then), but the story is still engaging.  It also embroils you in a culture that most of us haven’t experienced (the corruption is so blatant, and average people treated so harshly by the police and judge, it’s a culture shock.  At one point a family is murdered, and the judge gives the police 10 days to catch the killer, or they will be whipped every day after that).  Besides the special kung fu styles, the evil members of the Poison Clan (which is what they call themselves) also have several horrific ways of killing people without leaving a trace (such as sliding a hook into their mouth then slicing up the inside of their throat so they drown to death in their own blood).  1970’s Hong Kong action movies were all pretty violent, and this one has quite a few gruesome scenes in it.  Besides the above mentioned hook death, another person has a needle inserted in his nose and jabbed into his brain, several characters have their stomach’s burst by blows, and a couple of characters are tortured (one with an iron maiden).
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Writer/ director Cheh Chang actually made several movies around the same time using the main actors from The Five Deadly Venoms (such as Crippled Avengers, Invincible Shaolin, and later on The Sword Stained With Royal Blood), and was a pretty famous kung fu director for awhile (tho he hasn’t made any movies since the early ’90s).
In front of the camera, Philip Kwok (the Lizard) made it into a few Hollywood films (such as the ’90s incarnation of James Bond’s Tomorrow Never Dies) and was in John Woo’s Hard Boiled along with Meng Lo (the Toad).  Lo is the only actor from Five Deadly Venoms still working today (he recently appeared in Ip Man 2: Legend of the Grandmaster).

One of the above mentioned movies that Cheh Chang made with a lot of the same actors from Five Deadly Venoms (called Crippled Avengers) was alternately released with the name The Return of the Five Deadly Venoms, but it has nothing to do with the original (all the actors play different characters), other than also being pretty damn good and worth a watch.  Produced by the prolific Shaw Brothers, who provided loads of movies for the kung fu theatre type of matinee t.v. shows in the ’70s.
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Asian Movie Month ‘Zine #1: G-Fan (special issue)

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With the release of Pacific Rim and a new Godzilla to be released next year, the word “kaiju” will soon be mainstream; however in the 1980s and early ’90s (before the great geek takeover), it was one of the nerdiest of nerdy words.  Kaiju fans were considered waayyy nerdier than average sci-fi fans (the hierarchy of nerdom went, from coolest to nerdiest: 1) Star Wars fans; 2) horror geeks; 3) average sci fi/ fantasy fans (including Lord of the Rings hippies and comic collectors); 4) Star Trek fans; 5) Doctor Who fans; 6) Kaiju fans; and lastly 7) Otaku (who were also pretty much regarded as perverts as well as nerds, mainly because of movies like Urotsukidoji).  Times have really changed).  I was pretty much all of the above.  I grew up watching Godzilla and Gamera (and other Japanese kaiju) movies and t.v. shows, and always loved them.  Luckily, there were tons of specialty fanzines available for most any geek’s passion, and G-Fan was for kaiju fans.

The issue I’m highlighting here is actually kind of a ‘best of’ issue which came out in 1995, reprinting articles from the magazine’s earlier years (issues #1 through #7).  It was 63 pages long and featured lots of Godzilla art, several ‘Monster of the Month’ reprints, a list of the top 10 best Godzilla entrances in his movies, several articles on Godzilla Vs. King Ghidorah (which had recently been released, including one entitled “Implications of time travel in Godzilla Vs. King Ghidorah“), two articles on Godzilla comics (Marvel and other), a list of the top 14 kaiju as voted by Japanese kaiju fans, an article on Godzilla Vs. Mothra, a bunch of fan fic, and an article on the girls of the Godzilla movies.

Evidently this magazine is still going today, and you can get more info about it here:
http://www.g-fan.com/index.php

Here’s some pages from this issue:

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Ultimatum ‘zine #1

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Ultimatum was an old metal ‘zine put out by Kim August (who had a very short stint In DERKETA) starting in the mid to late ’80s.  This first issue is pretty slim, and the layouts are boring, but it’s the content that ultimately matters.  This one features 3 pretty good interviews with MORBID ANGEL, ATHEIST, and one of the only ones I’ve ever seen with the Texas cult band NECROVORE.  There aren’t many reviews but they’re all pretty long and in depth as well.  Tho there were plenty of glam and hard rock magazines around at the time, there weren’t very many underground ‘zines that featured stuff like this in the mid-80s (tho there would be a ton just a couple of years later) so this is a pretty good attempt.

Here’s some pages from it:

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“Peter Cushing: A Life In Film”

Today would have been Peter Cushing’s 100th birthday, so the time is right to review a newly released biography about him (released April 16th from Titan books).

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From his beginnings in repertory theatre, to his starring roles on television (he was a very popular television star in the 1950’s, and Hammer had a big job luring him away from that), to his days at Hammer, and the dark times beyond that (after his beloved wife Helen died in 1971), this book encompasses it all.  If you’ve read his autobiographies from the ’80s, this is still a good read and adds a lot of detail and information to what you already know.  It also has a wealth of photos (well over 200- there’s at least one on almost every page), mostly black and white but with two sections of color photos as well.

Peter Cushing’s multitude of ups and downs are all represented here, and it features a lot of interviews (both reprinted and newly conducted for this book) with friends and co-stars (and the man himself).  The writing is a little academic and undynamic, but the source material shines through and engages without really needing a charismatic host to bring it to you.

Most actors, if they are lucky, get to play a famous character or meaty role that they become beloved for or associated with.  Cushing played many- Winston Smith, King Richard II, Dr. Frankenstein, Professor Van Helsing, Sherlock Holmes, Dr. Who, Captain Clegg, Grand Moff Tarken.  The joy he’s brought to people over the years with his thoughtful portrayals of these characters and many more is unquantifiable.  One thing you always hear when people describe his performances, is how he didn’t always choose the best material and movies to be in, but he always gave his all to every role and brought a humanity to even the most absurd or cardboard characters and storylines.  My favorite thing about PETER CUSHING- A LIFE IN FILM is that it tells a lot of the changes and improvements Cushing made to scenes, scripts, and characters- he was always suggesting little changes and enhancements, most of which the directors saw value in and used.

From Peter Cushing- A Life In Film, a page about the production of Amicus' Tales From The Crypt (1972) and how Cushing molded the role to make it his own.

From PETER CUSHING- A LIFE IN FILM, a page about the production of Amicus’ Tales From The Crypt (1972) and how Cushing molded the role to make it his own.

Peter Cushing, like Vincent Price, was incredibly beloved by all of his co-stars and fans, and I’ve never heard a bad word or derogatory tale about him.  By all accounts was a very friendly, gracious, and honorable man, and a fantastic and charismatic actor; he is still missed.

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Exploitation Retrospect #51 (a NEW issue!)

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You might recall me reviewing an old issue of the horror/ sleaze/ trash/ action/ grindhouse/ etc. ‘zine Exploitation Retrospect on here awhile back.  Well, editor Dan Taylor got in touch, and it seems that the ‘zine is still going!  After a hiatus of 13 or so years, they came out with a new print issue last year, and plan to put another out this year.  I’ll let Dan tell you about it and give a little history himself (from the editorial in the new issue):

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I guess the main question people have would be, is it the same as the old ones?  A LOT of things have changed since the late ’80s and early ’90s, but the ‘zine hasn’t changed all that much.  It’s a lot thicker, and is back to concentrating mostly on movies (they branched out into music and politics and basically commentary on whatever suited their fancy at the time in the later issues of the old ‘zines).  Dan himself doesn’t seem to write as much (and his amusing commentary was a highlight of the old issues), but it’s still a great read.

It mostly consists of movie reviews, but based on themes and done from different perspectives.  For example, there is an article on Australian exploitation movies, with capsule reviews focusing on several you might have missed that the author finds relevant.  There’s an article on Barbara Steele (who I met in 2009 at a convention, and who is quite timid- I actually rode on an elevator with her and she looked quite terrified of her adoring fans, haha) with some very in-depth reviews of a bunch of her films (some I’ve never seen) with a load of interesting tidbits of info to go along with each one.  There’s also a long article on the ties between professional wrestling and pornography that I never knew existed- it was very informative, and focused on a few key players in both camps.  There are also quite a few stand-alone movie reviews (I will post a page of them so you can see how they’re written, but since this is a new magazine that you can purchase now, I’m not going to post a bunch of it on here like I do the old, out of print ‘zines), and some current other ‘zine reviews (I never knew there were still so many, but I’m delighted to discover their existence).  Take a look at the ‘table of contents’ (scanned above) to see how much other awesome stuff is crammed into this issue.

You can go to http://.ERonline.blogspot.com  to find out how to get your own copy of this issue (and other info) as well as news and reviews. They also have a Twitter and Facebook.   I’m glad ‘zines are making a comeback.

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Maniac remake

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I won’t start off with the usual lamenting about the remake plague, because we pretty much all feel the same about them being unnecessary at best and crapass for the most part (barring a very few exceptions); suffice it to say that I would not have bothered seeing this if it weren’t free, but I’m glad I did. It was pretty damn good. A friend asked me “Was it as gory, sleazy, and misogynistic as the original?”. The answer is yes, no, and yes. It’s just as gory and misogynistic (possibly even more so) than the original, but not near as sleazy. I think they knew they could not out sleaze Bill Lustig, and went for arty instead. For those of you groaning when they read that last line- I would have too if I hadn’t seen it, but somehow it works (and it’s not overly arty, to a goofy degree. just enough to make it a little offbeat). There’s no way Frodo could be as creepy, imposing, or dangerous seeming as Joe Spinell (RIP). Let’s get that out there right now. They knew that, and went with a different angle. It works. For one thing, the whole film (other than the last few minutes) is from a first person point of view- you see everything Frank (the killer) sees, and the only time you see him is when he sees himself in a reflective surface. This was a really cool way to experience his insanity (and he is quite insane- you get into his head a lot more than in the original). I’ve seen other movies do this for small parts of them, but never for the whole thing.

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The plot follows the basic plot of the original- a very disturbed loner was abused by his prostitute Mommy (played by America Olivio of the “Friday the 13th” remake), and is compelled to murder young ladies, scalp them, and bring the scalps home and attach them to mannequins, which he talks to and interacts with as if they are the real people. He is befriended by a photographer (who likes to photograph mannequins in this one) and developes an attachment to her- can he overcome his need to kill for her, and live a normal life?

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There are not many nudge nudge wink wink nods to the original (which is fine by me- tho there is one to Silence of the Lambs that made everyone in the screening room giggle), and the overall feel is less sleazy and gritty- it actually feels much more like American Psycho in tone than the original Maniac (including some small moments of black comedy). The actress who plays Anna, the photographer/ love interest is adequate, but not near as charismatic as Caroline Munroe in the original. The director previously made P2, which I saw but don’t really remember much, so it must not have been extra good or horribly bad. It was produced by Alexandre Aja, who has also never really impressed me that much with any of his movies (not even the much beloved High Tension), but I enjoyed this. It can exist alongside the original as an alternate dimension version of the same story and doesn’t piss on it’s legacy or embarrass anyone involved.
One last thing I’d like to comment on about it is how much I liked the score- it’s a totally retro synth score that recalls the original and sets the mood perfectly. It was done by someone simply named ‘Rob’.
After the screening I saw RUE MORGUE magazine editor-in-chief Dave Alexander leaving the screening room and asked him what he thought, and he said he really enjoyed it as well, and that RUE MORGUE would be doing a big piece on it in a future issue, so we can probably look forward to more coverage than the original got.

 

Texas Frightmare Weekend 2013

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Texas Frightmare Weekend 2013 went off without a hitch (after a kind of rocky start at their new location last year), and fun was had by all.  I’ve been to a lot of conventions, but this one has to be the best and best run one I’ve experienced.  This year featured the usual batch of awesome guests (including Jeffrey Combs, Marilyn Burns, Gary Busey, Veronica Cartwright, Meg Foster, Bruce Davidson, Bill Moseley, Caroline Munroe, Stuart Gordon, Bernie Wrightson, Patricia Quinn, Steve Railsbeck, David Naughton, Steve Niles, tons more) and panels on Alien, Pet Sematary, Stuart Gordon, Lords of Salem, horror comics, and more.
There were horror movies shown all 3 days (including The Last Will and Testament of Rosalind Leigh, which I already reviewed below, the Maniac remake (review coming soon), and Neil Jordan’s Byzantine (which I missed)) and a midnight screening of The Rocky Horror Picture Show with Patricia Quinn and a shadow cast.

This was just Saturday's schedule- so much to do!

This was just Saturday’s schedule- so much to do!

My favorite thing about conventions is just exploring the dealer room (this convention had 2 two of them!), geeking out with fellow geeks, and people watching (the costumes are always awesome).

Dealer room 1 open for business... Horror business!

Dealer room 1 open for business… Horror business!

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Jason menacing Ted White (who played Jason in Friday the 13th Part IV), as Freddy and Leatherface assist.

Jason menacing Ted White (who played Jason in Friday the 13th Part IV), as Freddy and Leatherface assist.

I bought a lot of awesome movies and memorabilia, and had to stop myself from spending too much money (self control is hard for me with great stuff for sale like this):
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The coolest “celebrity” I met was Bill Moseley, who is very friendly and amiable and told us stories about working with Buckethead and the members of Stolen Babies on his music projects (I bought one of his Spider Mountain cds) and about how he prepared to portray Drayton in that last (terrible) Chainsaw movie.  He also told us some cool stories about the original Drayton, Jim Siedow (who evidently had a vast array of dirty jokes for every occasion).
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Despite spending too much money, I found a lot of great deals (like the soudtracks to both Cannibal Ferrox and Zombie on one cd for only 10 bucks), and talked to the guys at the RUE MORGUE magazine table for awhile (who were also very friendly)…
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The only complaint I’d have is that it all went by way too fast.  I can’t wait to go back next year…

Jeffrey Combs signing autographs

Jeffrey Combs signing autographs

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The line to meet Danny trejo is longer than his favorite machete

The line to meet Danny Trejo is longer than his favorite machete

a fan gets the drop on George "The Animal" Steel
a fan gets the drop on George “The Animal” Steel

Gary Busey dancing to creepy accordion music
Gary Busey dancing to creepy accordion music

the facebone's connected to the... red shirt?

the facebone’s connected to the… red shirt?

lots of great artists sell their work in the dealer rooms- here's an awesome portrait of Marilyn Burns from The Texas Chain Saw Massacre

lots of great artists sell their work in the dealer rooms- here’s an awesome portrait of Marilyn Burns from The Texas Chain Saw Massacre

and the real thing, signing autographs for her fansand the real thing, signing autographs for her fans

Patricia Quinn (Magenta from The Rocky Horror Picture Show) loved posing with fans

Patricia Quinn (Magenta from The Rocky Horror Picture Show) loved posing with fans

Until next year- stay creepy!Until next year- stay creepy!

 

 

 

R.I.P. Ray Harryhausen 1920 – 2013

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I’m sure you’ll be reading a lot of tributes and testaments to this great artist and innovator’s work and personality over the next few days.  People like to say great things about those who passed on- it’s a tradition. But for this man it won’t be exaggeration- all the great things said about him will be absolutely accurate.

He brought a lot of joy to the world, probably more than anyone will ever realize.  He sparked countless imaginations, and inspired tons of people who in turn have done the same.  His contributions to art and entertainment can’t really be understated.  He’ll be missed.

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Rest In Peace, June 29, 1920 – May 7, 2003

http://www.youtube.com/watch?v=U9kmjW73-v4